Upcoming Chaos
WrapShot
Standalone AppComing Soon

WrapShot

Point it at raw footage. Walk away with a finished episode.

The Problem

The expensive part of a podcast isn't the recording. It's everything after.

Recording takes an hour. Turning that recording into a finished episode takes two to six hours of mechanical work: syncing the tracks, cutting between cameras to follow whoever is talking, fixing the guest who joined on bad laptop audio, pulling a transcript, cutting the clips for social. None of it is craft. All of it gets redone from scratch every single week. Freelance editors typically charge $150 to $500 an episode for this kind of work; production agencies charge $300 to $1,000. For a weekly show, that adds up to 100 to 300 hours a year, or a standing bill, spent on work that is identical every time it happens.

The Solution

Post-production becomes a setting you choose once, not a job you redo every week

Point WrapShot at the folder of raw recordings. Tell it once which camera belongs to which speaker and how you want cuts to work. From there it runs the whole job itself: lines up the tracks, cleans and mixes the audio, transcribes the speech, decides which camera is on screen at every moment, assembles the cut, and exports the finished files, on your Mac, without ever uploading the footage. You never have to open a timeline. If you want to change a cut by hand, you still can.

Configure your show's setup once. Every episode after that runs the same way, automatically.

The pipeline, seven steps, all running on your machine

01

Ingest

Checks every raw camera and microphone file and lines them up so they play in sync, no manual alignment needed.

02

Audio

Cleans up each track and mixes them together, so the guest on a bad microphone doesn't ruin the episode.

03

Transcription

Turns the speech into text, with each line attributed to the right speaker, running entirely on your Mac. Nothing is uploaded and there's no per-minute bill.

04

Camera switching

Decides which camera is on screen at every moment, cutting to whoever is talking the way a live TV control room would.

05

Fine cut

The cut is yours to adjust by hand: mark points, undo, redo, override any switch WrapShot made.

06

Enrichment

Adds chapter markers and transcript-based extras, plus an optional color correction pass to improve the picture. All optional, none of it blocks the steps after it.

07

Deliver

Exports everything a show needs in one pass: full video, an audio-only version, a transcript, and the clip files for social.

The Solution

Every real alternative either bills you every month or makes you learn a professional editor first

Descript and Riverside are capable cloud tools, but they bill monthly whether or not you produced an episode that month, and Descript still asks you to work inside a timeline-style editor. Adobe Premiere with the AutoPod plugin brings real multicam automation, but it's two stacked subscriptions on top of learning professional editing software. DaVinci Resolve is free and has recently added its own automatic camera switching, but it's a general-purpose editor first; you still have to build the automation around it. WrapShot runs the whole job, start to finish, on your own computer. No upload, no per-minute meter, no monthly bill. That's a structural difference, not a slogan.

Local, complete, and paid for once. Nobody else in this category offers all three.

Pricing and specs, plainly

FreeAlways. Full quality, every format, WrapShot's own branding stays on the output.
Per projectPay what you can, $5 minimum, most people pay $15. Removes the branding.
Unlimited$149 once. Every project after that, forever, nothing more to pay.
SubscriptionNone. There isn't one.
PlatformRuns on Apple Silicon Macs.
Where it runsEntirely on your Mac. Raw footage never leaves the machine that recorded it.

Pay what you can, starting at five dollars, and the branding goes away. Can't spare it? Keep the free version at full quality, forever.

The whole pricing model, in one line
Built for

Podcast hosts who edit their own weekly multi-camera show, and small agencies running eight to twelve client episodes a week

The best fit is a show you record the same way every time, because that's exactly where configuring the setup once pays off repeatedly. If you shoot with a single camera or lean on heavy custom styling every episode, this isn't built for you.

Product Roadmap

Status

Full seven-step pipeline shipped and working end to end. Payment checkout, pay what you can, is built and confirmed working against the live payment system, not a test one. A signed, Apple-notarized build (v0.2.6) renders a finished video start to finish.

Next milestone, Q3 2026

Recording an internal walkthrough of the current build, then opening it up to wider testing ahead of public release

36%

of podcast content is now video, not audio

Up from about 18% in 2020, and growing faster than audio-only shows. A video podcast is, by definition, the exact multicamera problem WrapShot solves, not a side benefit.

$25 to $38B

creator tools and infrastructure market

One estimate puts this layer growing about 41% a year, well ahead of the roughly 12% growth of the creator economy it serves. Estimates vary a lot by source; the direction, growing faster than the market it sits inside, is the reliable part.

Nobody agrees on the exact size of the podcast market. Every source agrees it's growing, video is growing faster than audio inside it, and there's a real, currently fragmented spend, freelancers, agencies, and a stack of subscriptions, that a tool like this is positioned to take a piece of.

The honest read on the market, no rounding up

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This product is built by

CHAOSAiGENT

A venture studio that builds tools, platforms, and products for operators who move fast.

The Studio